Step into the world of a fictionalized digital conference, where Marie and Anthony host a retrospective look at the gathering of 19th century abolitionists in Toronto, when their event is crashed by ghosts of conventions past. Together they grapple with the way history has been written, as well as issues that affect Black lives today.
Prior to watching the event, you can explore the pages below to meet the speakers (past and present), look back at the 1851 convention, gain context on key historical moments, and more!
Watch the Event
Article
“A great North American Convention of colored people is appointed to meet in this city on the 11th, 12th, and 13th inst. Numerous and efficient delegates are expected to be present from the West and also from the Northern States. One important subject of deliberation will be the question of colonization which has been touched on in our columns lately in several letters.”
– Globe and Mail, Sept. 6 1851
In 1851, Toronto was a hub for abolitionist activities and anti-slavery gatherings. Leading figures in the abolitionist movement included Henry Bibb, Mary Bibb, Frederick Douglass, and Mary Ann Shadd Cary, who all participated in anti-slavery activities in Toronto. The North American Convention of Colored Freemen was a major example of these gatherings, a three day convention at St. Lawrence Hall in Toronto from September 11-13, 1851.
The 1851 convention was responding to The Fugitive Slave Act, a law passed in the United States a year prior. The Fugitive Slave Act allowed the pursuit and retrieval of slaves, including in Northern States where slavery was abolished. This law increased the risk of Black people being kidnapped and sold into slavery. The law resulted in a wave of migration of self-emancipated slaves and free Black people to Canada in the 1850s.
At the North American Convention of Colored Freemen, fifty-three delegates and hundreds of people gathered to discuss abolitionism, the Fugitive Slave Act, and how to assist Black people fleeing into Canada West (present day Ontario). Topics of discussion included emancipating the Black race from slavery, land ownership, segregation, and settlement in Canada. Toronto was chosen as the location for the convention for its safety and proximity to the United States for travelling delegates.
The Convention resulted in the following resolutions:
However, not all delegates wholeheartedly supported the above resolutions, the Convention was also a space for debate. For example, some American abolitionists believed they should stay in the United States to protest the Fugitive Slave Act rather than flee to Canada.
Above all, the Convention allowed leading activists and thinkers to connect with one another to imagine a better future for Black people.
Read the following article by Jamie Bradburn, “Looking back at Toronto’s historic anti-slavery convention of 1851” (TVO, 2020)
Want to dive deeper? Read the full proceedings of the North American Convention of Colored Freemen published in the Voice of the Fugitive newspaper in 1851
The 1851 Convention
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“…Canada is emphatically the only safe land of safety on the American continent for hunted refugees. She bids defiance to all fugitive slaves, and protects the colored man in the enjoyment of that liberty with which he is endowed by the great Author of his existence.”
– Voice of the Fugutive, July 30 1851

St. Lawrence Hall was built by the City of Toronto in 1850 as a public meeting hall for gatherings, concerts and exhibitions. The 19th century building was designed in the Renaissance tradition by William Thomas. St. Lawrence Hall opened its doors on April 1, 1851 with a lecture entitled “Slavery” by British Parliamentarian George Thompson. After its opening, the Hall continued to be a gathering place for abolitionists in Toronto, and was the venue for a series of anti-slavery lectures in April of 1851, including a lecture by Frederick Douglass.
St. Lawrence Hall was the original venue for the North American Convention of Colored Freemen in the Fall of 1851. Toronto was chosen as the site of the Convention for its safety and proximity to the United States border for travelling delegates, and the Hall was an ideal venue for large gatherings. Today, St. Lawrence Hall continues to be a centre for social activity at the corner of King St. E. and Jarvis St.
St. Lawrence Hall
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Mary Elizabeth Bibb (1820–1877) was an American-born educator and abolitionist leader. She is considered by some to be the first woman Black journalist in Canada.
Mary Bibb
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• 2:04
Mary Ann Shadd Cary (1823-1893) was an educator, abolitionist, author, publisher, and journalist.
Mary Ann Shadd Cary
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• 2:28
Henry Bibb
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• 2:16
Frederick Douglass (1818-1895) was an American abolitionist, social reformer, orator, writer, and statesman.
Frederick Douglass
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• 2:16
Abolitionist | An abolitionist is person who wants to stop or abolish slavery. Today, abolitionist can also refer to someone who wants to abolish other institutions or practices, such as the police abolition movement. | |
Anti-Slavery Society of Canada | Anti-Slavery Society of Canada was formed in February 1851 to promote the global abolition of slavery and provide relief for refugees in Canada. Its first and only president was Presbyterian minister Michael Willis. The society organized public meetings, including lectures leading up to the North American Convention of Colored Freemen. (Learn more) | |
Canada West | In 1841, Britain combined the colonies of Upper and Lower Canada into a single colony called the Province of Canada. The colony had two regions: Canada West (formerly Upper Canada), and Canada East (formerly Lower Canada). Canada West became Ontario and Canada East became Quebec. (Learn more) | |
Dawn Settlement | Located near Dresden, Ontario, the Dawn Settlement was a safe place for fugitive slaves to live in a community together. It was founded by Josiah Henson, an author, abolitionist, and minister who fled from Maryland, U.S. to Canada. The Dawn Settlement was one of the final destinations of the Underground Railroad. | |
Emancipation Day | In Canada, August 1st marks the anniversary of when Britian’s Parliament abolished slavery in the British Empire in 1834. | |
Fugitive Slave | Freedom seeker, refugee. | |
Fugitive Slave Act | The Fugitive Slave Act was a law passed by the U.S. Congress on September 18, 1850. The Fugitive Slave Act allowed the pursuit and retrieval of slaves in the United States, including Northern States where slavery was abolished. The Fugitive Slave Act increased the risk of Black people being kidnapped and sold into slavery. This resulted in a wave of migration of self-emancipated slaves and free Black people to Canada in the 1850s. | |
Microaggressions | A comment or action that subtly and often unconsciously or unintentionally expresses a prejudiced attitude toward a member of a marginalized group, such as a racial minority. (Source: Merriam Webster) | |
The North Star | The North Star was an abolitionist newspaper published from 1847-1851 in Rochester, New York. The newspaper was edited by Frederick Douglass. | |
Orator | A public speaker, especially one who is eloquent or skilled. | |
The Provincial Freeman | Published from 1853 – 1860, the Provincial Freeman was a abolitionist newspaper first published in Windsor and later in Toronto and Chatham. Its chief editor was Mary Ann Shadd. Guided by Shadd’s commitment to anti-slavery issues, the paper advocated that “Self-reliance is the true road to independence.” The Provincial Freeman championed temperance, social reform and African-American emigration to British North America. (Learn more) |
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Refugee Home Society | The Refugee Home Society was founded in 1851 by abolitionists in Ontario and Michigan. It was designed to assist former enslaved people to join a community and remain free. Donations were collected to purchase land and assist refugees, these funds were organized and administered by Henry and Mary Bibb. | |
Sandwich | Sandwich was a township named in 1972 along the Detroit River. Today, Sandwich is a neighbourhood in Windsor, Ontario. | |
Seneca Falls Convention | A convention that launched the Women’s suffrage movement held on July 19-20, 1848 in New York. Frederick Douglass was one of the few men present. | |
Slave | Enslaved. | |
Slave Owner | Enslaver. | |
Spoken Word | Poetry intended for performance, and often characterized by rhyme, repetition, improvisation, and word play. Spoken word poems frequently refer to issues of social justice, politics, race, and community. (Source) | |
The Underground Railroad | A network of secret routes and safe houses established in the United States during the early to mid-19th century. The Underground Railroad was used by slaves to escape to free states such as Canada. The Underground Railroad also refers to a Soul food restaurant in Toronto that was open from 1969 to 1988 located first on Bloor St., and later on King St. E. |
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Voice of the Fugitive | The Voice of the Fugitive was Canada’s first Black newspaper, edited by Henry and Mary Bibb. The paper was published from 1851-1853 from Sandwich. The biweekly newspaper was used by fugitive slaves to find their family members, and as a means to communicate with Underground Railroad supporters. | |
White Supremacy | “White supremacy is an ideology where white people are believed to be superior to nonwhite people. This fallacy is rooted in the same scientific racism and pseudo-science used to justify slavery, imperialism, colonialism, and genocide at various times throughout history. White supremacist ideologies and their followers continue to perpetuate the myth of white racial superiority.” (Learn More: Smithsonian National Museum of African American History and Culture) | |
Windsor Anti-Slavery Society | The first Anti-Slavery Society in Canada, formed in 1827 by the Black community. Henry Bibb was elected President. |
Aisling Murphy, Intermission Magazine
CBC News
Rosemary Sadlier, Toronto.com
Marjorie Hale, Janet Wright and Stephen A. Otto, The Canadian Encyclopedia
Kyle G. Brown, CBC Radio
![]() | Museum of TorontoMuseum of Toronto is your Toronto museum. Our engaging programs and experiences showcase the history, spaces, culture(s), architecture, and the people, that represent Toronto’s unique place in the world. Museum of Toronto Credits Heidi Reitmaier, Executive Director Paula Hughes, Interim Executive Director Nadine Villasin Feldman, Director of Programming Kathleen Lew, Research & Programming Coordinator Nathan Heuvingh, Curatorial & Programming Lead Sarah Tumaliuan, Festival & Programming Coordinator Joshua Dyer, Director of Marketing Byron Kent Wong, Creative Strategy Davin Henson, Production Lead Zambrine Saeed, Marketing Coordinator & Jr. Graphic Designer Chloé Houde, Digital Content Coordinator Na’ama Freeman, Administrative Assistant Dawn Ellis-Mobbs, Education Lead Jashen Edwards, Education Consultant Kendra Thompson, Public Relations |
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![]() | Soulpepper Theatre CompanyLocated in its multi-venue home, the Young Centre for the Performing Arts in Toronto’s Distillery Historic District, Soulpepper is Canada’s leading artist-driven theatre company. We believe that vital stories can connect us all and that they can motivate us toward social change. Soulpepper traditionally produces a year-round season of over 500 events, and plays a civic role in our community through free education programs, Community Conversations, artist training, and environmental sustainability initiatives. Soulpepper strives to ensure theatre is accessible to all by offering ASL interpretation, Relaxed Performances, as well as free tickets to frontline workers and those under 25 years old. Throughout the pandemic, Soulpepper has adapted to digital platforms offering over 50 hours of free shareable content, including play readings, workshops, interviews, and concerts. Soulpepper Credits Maricris Rivera, Producer Mimi Warshaw, Producer Jonathan Heppner, Executive Producer Weyni Mengesha, Artistic Director Emma Stenning, Executive Director |
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| Ontario Black History SocietyFounded in 1978, the Ontario Black History Society (OBHS) is dedicated to the study, preservation and promotion of Black History and Heritage. Ontario Black History Society Credits: Natasha Henry, Historical Consultant |
| Luke ReecePlaywright Luke Reece is an award-winning spoken word poet, theatre producer and playwright, recently appointed as Soulpepper’s Associate Artistic Director. Through his work as an educator and artistic leader within the national arts community, he advocates for engaging and nuanced storytelling that challenges Canadian audiences. He is one of Toronto’s most decorated slam poets, and has represented the country internationally. In 2021 Luke was included in York University’s inaugural Top 30 Changemakers Under 30 list. |
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| Lisa Karen CoxDirector, Talent + Creative A graduate of Concordia University’s Interdisciplinary Studies program, Lisa Karen Cox relishes work that combines music, movement and heightened language. Often playing men and other mythical creatures, credits include: Flo in Now You See Her (Quote/Unquote Collective/WhyNotTheatre/Nightwood); The Penelopiad (Royal Shakespeare Co/NAC); Brutus in Julius Caesar (Spur-of-the-Moment Shakespeare), and 2 seasons at the Stratford Festival of Canada. Lisa was also the Assistant Director for We Are Proud to Present…(Theatre Centre), and Salt-Water Moon (Factory Theatre), and the Associate Director for Why Not Theatre’s Like Mother, Like Daughter. Most recently, as a director, Lisa worked Anna Karenina for UTM/Sheridan and Beyere in Obsidian Theatre’s 21 Black Futures. Lisa is also a Board member for Theatre Direct, a Steering Committee member for Balancing Act (a caregiving and performing initiative) and an Assistant Professor at Ryerson University. |
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| Byron Kent WongCo-Director Byron Kent Wong helps to tell stories. As a creative strategist and producer, he created Iron Bay Media to encourage unique collaboration between educators, film makers, musicians, immersive + interactive designers, community-leaders, artists, and storytellers through strategic, artistic and event development. |
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| Natasha HenryQ&A Natasha Henry is a historian and educator. She is a PhD candidate in the Department of History at York University. The 2018 Vanier Scholar is researching the enslavement of African people in early Ontario. Natasha is the president of the Ontario Black History Society. Her publications include Emancipation Day: Celebrating Freedom in Canada (June 2010), Talking about Freedom: Celebrating Freedom in Canada (2012), a number of youth-focused titles, and several entries for the Canadian Encyclopedia on African Canadian history. Through her various professional, academic, and community roles, Natasha’s work is grounded in her commitment to research, collect, preserve, and disseminate the histories Black Canadians. |
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| Joshua DyerQ&A Moderator Josh is a seasoned marketing professional who started his marketing/communications career as a student working on electoral campaigns for Antonio Villarigosa in 2005 followed by Barack Obama in 2008. After completing his studies, Josh served in a variety of communications roles with the Canadian federal government, where he developed national campaigns as well as digital and social media strategies for the likes of Elections Canada, Citizenship & Immigration Canada, before joining Myseum of Toronto as Director of Marketing in 2016. Josh is currently the Director of Content & Strategy Delivery at Richmond Hill Public Library and serves on the Board of Directors at Black Artists Networks in Dialogue. |
| Kaleb AlexanderActor, Frederick Douglass Kaleb Alexander was born in Thunder Bay Ontario and grew up in both Toronto and Thunder Bay Soulpepper 2021: 1851: 170 Years Later Other Theatre: Trouble in Mind (Shaw Festival), Alphonse (Theaturtle), Passover (Obsidian Theatre), All’s Well That End’s Well (Canadian Stage), Adventure’s of a black girl in search of God (The Centaur, Black Theatre Workshop, NAC) Film & Television: Cabin Connection (Hallmark), Death She Wrote (CTV), Rulebook of Love (Hallmark), The Other Half (Motel pictures), The Strain (FX) |
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| Cameron GrantActor, Anthony Cameron is a Brampton based actor and theatre creator. A graduate of the Theatre and Drama Studies program at Sheridan College and the University of Toronto Mississauga, some of his recent credits include Serving Elizabeth (Stratford Festival) 4 seasons at the Shaw Festival,Happy Birthday Baby J (Shadow Theatre); as well as productions with Talk Is Free Theatre, Theatre Animal, Theatre Erindale, Secret Shakespeare Series, Canadian Rep Theatre and Clay and Paper Theatre. Some of his other creative work includes assistant directing Theatre Eridale’s cecil hotel and Factory Theatre’s director’s training program, Factory Foreman. As a playwright, Cameron’s first play Meet Chloe: a play that explores the challenges Black students face in the education system and the lack of Black curriculum content in the study of Canadian History, received its premiere at Carousel Players in the fall of 2021. |
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| Daren A. HerbertActor, Henry Bibb Daren is a stage and screen artist whose love for acting continues to grow. Recent television appearances include recurring roles on CBC series Kim’s Convenience and Pretty Hard Cases. His theatre work includes Dora and Toronto Theatre Critics Award winning roles in The Brothers Size and Jesus Hopped the A Train at Soulpepper as well as The Wild Party with The Musical Stage Co. Daren has practiced at LS&Co. Studios + Gracemoon Arts Company for over a decade under the mentorship of Michele Lonsdale Smith. He serves as an artist liaison for The Black Pledge Collective and is a Musical Stage Co. board member. Daren has also earned an MFA in Drama at The University of California, Irvine and a BFA in Theatre Arts from The University of the Arts in Philadelphia. #allblacklivesmatter |
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| Dr. Naila Keleta-MaeKeynote Writer and Speaker Dr. Naila Keleta-Mae is an Associate Professor Arts with expertise in race, gender and performance and an artist who works in theatre, literature and music. Her scholarship has been published in journals including Theatre Research in Canada; Atlantis: Critical Studies in Gender, Culture & Social Justice; and Girlhood Studies: An Interdisciplinary Journal and books including bestseller Until We Are Free: Reflections on Black Lives Matter in Canada (2020); and award-winning Performance Studies in Canada (2017). Her music albums are: Fire Woman (2020); Bloom (2009) and Free Dome: South Africa (2001); and her plays are What We Deserve (2020), No Knowledge College (2005); and Stuck (2001). Dr. Keleta-Mae has commentated for outlets including the BBC, CBC, BBN, CTV, The Canadian Press, The National Post and The Fader. One of her articles was one of the most read stories for a week across Vice Network’s Noisey websites in 15 countries (2016) and another one broke The Globe and Mail’s opinion section record for most shares (2015). Her research on blackness and freedom is funded by the Ontario Ministry of Colleges and Universities, the Social Sciences and Humanities Research Council of Canada and the University of Waterloo. She is Subject Editor of Black Theatre and Performance for the Routledge Performance Archive and Co-Editor of Theatre Research In Canada/Recherches théâtrales au Canada. |
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| Emerjade SimmsActress, Marie Emerjade Simms is a Jamaican-Canadian artist and storyteller based in Toronto. SOULPEPPER 2021: 1851: 170 Years Later. FOR SOULPEPPER: Peter Pan (in association with Bad Hats Theatre)(2019-2020). OTHER THEATRE: 21 Black Futures (Obsidian/CBC); School Girls; Or, The African Mean Girls Play* (Obsidian/Nightwood); Wounded Soldiers (4th Line); The Bird Killer (Let Me In). *Dora Award for Outstanding Production FILM & TELEVISION: Forbidden, Fear Thy Neighbor, See No Evil and Paranormal 911. OTHER: Emerjade enjoys napping in her downtime and thanks her mom for everything. |
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| Amaka UmehActress, Mary Ann Shadd Cary Amaka Umeh was born and raised in Lagos, Nigeria. SOULPEPPER 2021: 1851 – 150 Years Later. FOR SOULPEPPER: Death and the King’s Horseman (2021). OTHER THEATRE: A Midsummer Night’s Dream (Stratford Festival); The Wolves (Howland Company/Crow’s); A Christmas Carol (Grand Theatre); James and the Giant Peach (Young People’s Theatre). OTHER: In 2019, Amaka received a Dora Mavor Moore Award for Outstanding Performance in a Featured Role for The Wolves. |
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| Sophia WalkerActress, Mary Bibb Sophia Walker is a Ryerson University Theatre Graduate, Alum of the Canadian Film Centre’s CBC Actor’s Conservatory and an award Winning Actor. Her recent Theatre credits include: Lady Gertrude in An Ideal Husband, Calpurnia in To Kill A Mockingbird, Mistress Ford in The Merry Wives of Windsor and Sybil in Private Lives, The Bridge (2b/Neptune Theatre), Blood Wedding, Jitters, The Heidi Chronicles (Soulpepper) ; Mary in Mary’s Wedding ( The Blyth Festival); Salima in the Dora Award-Winning Ruined (Obsidian Theatre). Walker has spent the last 11 seasons performing at The Stratford Shakespeare Festival, where she was part of The Birmingham Conservatory for Classical Theatre. Film/TV: Aisha Baker ( recurring on FX Y The Last Man), Catarina Loss(recurring) on Shadowhunters, Murdoch Mysteries, Carter files, In the Dark, Carmilla: The Movie, How to Buy a Baby, Vanessa in The Divide (AMC), Happy One Year( Temple Street/City Life), 12 Monkeys, Designated Survivor, Black Cop, Guilty Party (Miniseries). Mary Savidge, Michael Mawson, Jean A Chalmers and The Richard Monette 2019 Travel Grant, 2012 Dora (ensemble) Other: Love to my Family and Gil! |
![]() | ZERO11ZEROZERO11ZERO is a company dedicated to the convergence of motion media, new media, artist development, music, publishing and creative strategy. |
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![]() | Iron Bay MediaIron Bay Media is an award winning and Emmy-nominated creative team dedicated to innovative thinking, messaging, solutions and end-to-end creative deployment. |
| Stage Crew Kat Chin, Stage Manager Rachel Forbes, Costume Designer Lisa Nighswander, Head of Props Des’ree Gray, Wardrobe and Set Dec Assistant Alessia Urbani, Wardrobe Assistant Jaelynn Brooks, Assistant to the Lisa Cox |
| Film Crew Byron Kent Wong, Director/Producer Sabre Dane, Director of Photography Kate Latimer, Producer Elise Bailey, Associate Producer Domenique Arnold, 1st AD, Production Coordinator James Hellyer, 1st AC / Tech Lead Alex McFarland, 2nd AC / Camera Operator Robert Mason, Audio Grace Dao Mun, Camera Operator Celeste Morton, HMU Hadissa Asim, HMU Assistant Shang Wong, PA Elliot Jannetta, PA Riel Flack, PA POST by ZERO11ZERO With Kate Latimer, Domenique Arnold & Robert Mason |
| Actors, Read Through and Rehearsals Andre Sills Sébastien Heins Patrice Goodman Arlene Duncan |
| Lead Support The Estate of Mary Ann Marshall |
| Lead Funding We acknowledge the support of the Canada Council for the Arts. |
| Additional Funding Government of Ontario Government of Canada Museum of Toronto is made possible by the generous support of Diane Blake and Stephen Smith. |
| Special Thanks Katy Mountain Riaz Charania Museum of Toronto Board of Directors Diane Blake, Founder, Board Chair Ian Bandeen, Founding Director Jesse Barke, Director Ken Greenberg, Director Adam Kahan, Director Maureen Marshall, Founding Director Ruth A. Mora, Director Richard Mozer, Director Graham Ross, Director Taslim Somani, Director |